Monday, February 26, 2024

Works Cited, Middle C

In the alleged state of nature, Joseph would begin, it is said to be a war of all against all. I know you are teasing, Joey. No one can go against gardens. So let me be with my beauties, at peace with nature and all this world’s tossing and yearning. Despite a pledge to cease and desist, Joseph heard himself repeat to his mother how unnatural gardens were, how human-handed every rose was, how thoroughly the irises were trained, how the prizes plants won in their competitions were like those awarded after a proud parade of poodles, each clipped like a hedge. She should not ignore the size of the industry whose profits depended upon fashions in flowers and fads that were encouraged by the press or those ubiquitous catalogs which provoked fears of diseases, worms, and insects that could only be controlled by the poisons, hormones, and fertilizers they recommended. Nor should she make light of the myths extolling the harmless healthiness of gardening, even alleging its psychological superiority to every other avocation. She should notice how the seed companies’ bankrolls grew more rapidly than their marigolds, despite extensive artificial breeding; she should also admit the plants’ reputations were puffed and as pretentious as their adopted stage names—moonglow, for instance. The garden, he felt compelled to suggest, was like a fascist state: ruled like an orchestra, ordered as an army, eugenically ruthless and hateful to the handicapped, relentless in the pursuit of its enemies, jealous of its borders, favoring obedient masses in which every stem is inclined to appease its leader.

Gass, William H.. Middle C (Vintage International) (p. 271). Knopf Doubleday Publishing Group. Kindle Edition.



Sunday, February 25, 2024

Works Cited, Middle C

He had once thought that the many terrible deeds of men might be understood by positing some underlying evil working away in the dirt of each life like the sod webworm. Perhaps there was an unrequited urge at the center of the species, a seed or genetic quirk, an impulse, bent for destruction, a type of trichinosis or a malignant imbecility that was forever ravenous. It might be just possible that we were killing off the weak to make the species strong. The young men can shoot one another. Those left standing can rape and murder the enemy’s mistresses, whores, and wives. Dead men cannot fertilize, or dead women bear. Then maybe our wars worked to keep our increasing numbers in check. But that hope turned out to be Heinrich Schenker’s doing, who had put these ideas in Skizzen’s head by insisting that for every harmonic composition there ought to be such a hidden center—a musical idea from which the notes that would be heard emerged, and were thereby governed, the way words issue from a mouth when the mouth moves on account of a consciousness that is formed, at least in part, by a nature as obdurate as an underground god at his forge hammering the white-hot blades of his weapons.

Gass, William H.. Middle C (Vintage International) (pp. 268-269). Knopf Doubleday Publishing Group. Kindle Edition.