Tuesday, August 13, 2024

Works Cited, The Spanish Labyrinth

The great difference in the degree of humanity shown on the two sides may be judged from the fact that from the beginning of the Civil War to the end not a single protest appeared on the Nationalist radio or in its press or in the books published at Burgos and Salamanca against the atrocities that were taking place. The British Fascists and neo-Catholics visiting Franco denied that there had been any irregular executions, yet in private conversations the Falangists never concealed what was happening and during the first months bodies were exposed to view everywhere. On the Government side, on the other hand, the radio almost every night during August and September contained strong denunciations of the executions that were going on: not only the Government authorities but members of the U.G.T., F.A.I. and Communist party spoke in this sense. Posters were put up ordering the summary execution of the gangsters who were engaged in these murders. How far the rank and file of the U.G.T., C.N.T. and F.A.I. supported these protests may be doubted: for a time humane opinion among them was silenced and it was dangerous for anyone to protest too much, but the leaders of the Left parties often protected people who were in danger and facilitated their escape. The Communists, who to annoy the Anarchists had adopted a protective attitude towards the Church, took on themselves the task of sheltering priests. And there were some outstanding exceptions to the general acceptance of the terror. Juan Peiró, the well-known Anarchist and editor of Llibertat, denounced almost every day in his paper the crimes of certain elements of the C.N.T. He did not stint his language. They were ‘modem vampires’, ‘fascists in a latent state’, ‘thieves and assassins, guilty of a crime against the honour of revolutionaries’. His paper was not suppressed and he was not interfered with. Can one imagine even a tenth part of this outspokenness being possible on Franco’s side?

Brenan, Gerald. The Spanish Labyrinth (Canto Classics) (p. 540). Cambridge University Press. Kindle Edition. 

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